The Interactive Nature of Sound
by Florence Sunnen
“The aesthetic subject in sound is defined by this fact of interaction with the auditory world. He is placed in the midst of its materiality, complicit with its production. The sounds of his footsteps are part of the auditory city he produces in his movements through it. His subject position is different from the viewing self, whose body is at a distance from the seen. The listener is entwined with the heard. His sense of the world and of himself is constituted in this bond.
The understanding gained is a knowing of the moment as a sensory event that involves the listener and the sound in a reciprocal inventive production, This conception challenges both notions of objectivity and of subjectivity, and reconsiders the possibility and place of meaning, which situates the re-evaluation of all three at the centre of a philosophy of sound art.”
Jean-Luc Nancy – Listening