Perlophonies

"que de sang caillé sur mon chemin griffé de lumière, l'or défunt des réverbères"

Tag: leonard michaels

Relationships

“The word “relationship” appears for the first time in the 1743 edition of The Denunciad. [Alexander] Pope uses it in a way both funny and cruel to identify his enemy [Colley] Cibber with the insane. Cibber is said to be related to famous heads, sculpted by his father, representing despondent and raving madness. […] Pope calls them Cibber’s “brothers.” Cibber and the heads have the same father; they stand in a blood, brains, “brazen” family “relationship.” The word affects a contemptuous distance between Pope and Cibber and makes Cibber one with the sculpted heads. Funny in its concreteness, cruel in the play of implications, luminous in genius. Before Pope, “relationship” may have been part of daily talk, but until he uses it nothing exists in this way, bearing the lineaments of his mind, the cultural affluence of his self and time.
After 1743, “relationship” appears with increasing frequency, with no joke intended, and it not only survives objections to its redundant structure (two abstract suffixes), but, in the 1940s, it begins to intrude into areas of thought and feeling where it never belonged, gathering a huge constituency of uncritical users and displacing words that at once seemed more appropriate, precise, and pleasing. Among them are “romance,” “affair,” “lover,” “beau,” “fellow,” “girl,” “boyfriend,” “girlfriend,” “steady date,” etc. People now find these words more or less quaint or embarrassingly innocent. They use “relationship” to mean any of them when talking about the romantic-sexual connection between a man and a woman or a man, or a woman and a woman. In this liberal respect, Pope’s use of the word is uncannily reborn.”

 

Leonard Michaels – “I’m having Trouble with my Relationship” in: The Essays of Leonard Michaels.

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Leonard Michaels on Jonah’s Sleep

“Finding Jonah asleep, the shipmaster thinks it’s shocking and unintelligible, but sleep is simply consistent with Jonah, a man in flight from consciousness and God.
[…]
Now Jonah is thrown down into the chaos of sea and swallowed down by a great fish that has been prepared for this moment by God. Since Jonah would flee God’s voice and go down into the hold and sleep, there is justice in his fate, which he himself requested. If you want to sleep, Jonah, sleep there in the belly of the fish. […] In the belly of the fish, Jonah sings the blues, and his theme is again about going down: “I went down to the bottoms of the mountains.” Ultimately, in his flight from God, Jonah goes down into the deepest solitude, into the primeval wilderness, or what lies within himself. Insofar as he would flee the presence of God, who is other than Jonah, or outside himself, Jonah must descend into himself, what lies within. There is no place else to go. This doesn’t seem a too fanciful idea if we remember that everyone, from little babies to adults, tends to go to sleep when under great stress.”

 

Leonard Michaels – “The Story of Jonah” in The Essays of Leonard Michaels

Leonard Michaels, Transitions into Transformations

“The problem of storytelling is how to make transitions into transformations, since the former belong to logic, sincerity, and boredom (that is, real time, the trudge of “and then”) and the latter belong to art.”

Leonard Michaels – “What’s a Story?” in The Essays of Leonard Michaels